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Quotes about work

67 quotes that mention work in so many words. Each one is checked against the book it comes from.

Sloth, like rust, consumes faster than labour wears, while the used key is always bright

Benjamin Franklin, The Way to Wealth (1758)Source text

Drive thy business, let not that drive thee

Benjamin Franklin, The Way to Wealth (1758)Source text

Diligence is the mother of good luck

Benjamin Franklin, The Way to Wealth (1758)Source text

Learning without thought is labour lost; thought without learning is perilous.

Confucius, The Analects (c. 400 BC; tr. James Legge, 1861), Book 2, Chapter 15Source text

If you have built castles in the air, your work need not be lost; that is where they should be. Now put the foundations under them.

Henry David Thoreau, Walden (1854), “Conclusion”Source text

Work is love made visible.

Kahlil Gibran, The Prophet (1923), “On Work”Source text

Work consists of whatever a body is obliged to do, and that Play consists of whatever a body is not obliged to do.

Mark Twain, The Adventures of Tom Sawyer (1876), Chapter 2Source text

The beginning is the most important part of any work

Plato, The Republic (c. 375 BC; tr. Benjamin Jowett, 1871), Book 2Spoken by Socrates · Source text

What a piece of work is man, how noble in reason, how infinite in faculties

William Shakespeare, Hamlet (1603), Act 2, Scene 2Spoken by Hamlet · Source text

Double, double, toil and trouble;
Fire, burn; and cauldron, bubble.

William Shakespeare, Macbeth (1623), Act 4, Scene 1Spoken by the Witches · Source text

Reputation is an idle and most false imposition, oft got without merit and lost without deserving.

William Shakespeare, Othello (1622), Act 2, Scene 3Spoken by Iago · Source text

Nature makes merit but fortune sets it to work.

François de La Rochefoucauld, Reflections; or Sentences and Moral Maxims (1665; tr. J. W. Willis Bund and J. Hain Friswell, 1871), Maxim 153Source text

Interest sets at work all sorts of virtues and vices.

François de La Rochefoucauld, Reflections; or Sentences and Moral Maxims (1665; tr. J. W. Willis Bund and J. Hain Friswell, 1871), Maxim 253Source text

We have more idleness in the mind than in the body.

François de La Rochefoucauld, Reflections; or Sentences and Moral Maxims (1665; tr. J. W. Willis Bund and J. Hain Friswell, 1871), Maxim 487Source text

Work makes companionship.

Johann Wolfgang von Goethe, Maxims and Reflections (1833; tr. Bailey Saunders, 1893), “Life and Character”, no. 57Source text

Excellent work is unfathomable, approach it as you will.

Johann Wolfgang von Goethe, Maxims and Reflections (1833; tr. Bailey Saunders, 1893), “Literature and Art”, no. 406Source text

Let us be grateful to Adam our benefactor. He cut us out of the “blessing of idleness,” and won for us the “curse of labor.”

Mark Twain, Following the Equator (1897), Chapter 33Source text

It takes your enemy and your friend, working together, to hurt you to the heart; the one to slander you and the other to get the news to you.

Mark Twain, Following the Equator (1897), Chapter 45Source text

One should either be a work of art, or wear a work of art.

Oscar Wilde, Phrases and Philosophies for the Use of the Young (1894), Phrases and Philosophies for the Use of the YoungSource text

Industry is the root of all ugliness.

Oscar Wilde, Phrases and Philosophies for the Use of the Young (1894), Phrases and Philosophies for the Use of the YoungSource text

The condition of perfection is idleness: the aim of perfection is youth.

Oscar Wilde, Phrases and Philosophies for the Use of the Young (1894), Phrases and Philosophies for the Use of the YoungSource text

To create a little flower is the labour of ages.

William Blake, The Marriage of Heaven and Hell (c. 1790), Proverbs of HellSource text

APPETITE, n. An instinct thoughtfully implanted by Providence as a solution to the labor question.

Ambrose Bierce, The Devil’s Dictionary (1911), entry “Appetite”Source text

AUSTRALIA, n. A country lying in the South Sea, whose industrial and commercial development has been unspeakably retarded by an unfortunate dispute among geographers as to whether it is a continent or an island.

Ambrose Bierce, The Devil’s Dictionary (1911), entry “Australia”Source text

BARRACK, n. A house in which soldiers enjoy a portion of that of which it is their business to deprive others.

Ambrose Bierce, The Devil’s Dictionary (1911), entry “Barrack”Source text

CAMEL, n. A quadruped (the Splaypes humpidorsus) of great value to the show business. There are two kinds of camels—the camel proper and the camel improper. It is the latter that is always exhibited.

Ambrose Bierce, The Devil’s Dictionary (1911), entry “Camel”Source text

CAVILER, n. A critic of our own work.

Ambrose Bierce, The Devil’s Dictionary (1911), entry “Caviler”Source text

DAY, n. A period of twenty-four hours, mostly misspent. This period is divided into two parts, the day proper and the night, or day improper—the former devoted to sins of business, the latter consecrated to the other sort. These two kinds of social activity overlap.

Ambrose Bierce, The Devil’s Dictionary (1911), entry “Day”Source text

DICTIONARY, n. A malevolent literary device for cramping the growth of a language and making it hard and inelastic. This dictionary, however, is a most useful work.

Ambrose Bierce, The Devil’s Dictionary (1911), entry “Dictionary”Source text

FREEBOOTER, n. A conqueror in a small way of business, whose annexations lack of the sanctifying merit of magnitude.

Ambrose Bierce, The Devil’s Dictionary (1911), entry “Freebooter”Source text

IDLENESS, n. A model farm where the devil experiments with seeds of new sins and promotes the growth of staple vices.

Ambrose Bierce, The Devil’s Dictionary (1911), entry “Idleness”Source text

LABOR, n. One of the processes by which A acquires property for B.

Ambrose Bierce, The Devil’s Dictionary (1911), entry “Labor”Source text

NOMINEE, n. A modest gentleman shrinking from the distinction of private life and diligently seeking the honorable obscurity of public office.

Ambrose Bierce, The Devil’s Dictionary (1911), entry “Nominee”Source text

PHOTOGRAPH, n. A picture painted by the sun without instruction in art. It is a little better than the work of an Apache, but not quite so good as that of a Cheyenne.

Ambrose Bierce, The Devil’s Dictionary (1911), entry “Photograph”Source text

RAPACITY, n. Providence without industry. The thrift of power.

Ambrose Bierce, The Devil’s Dictionary (1911), entry “Rapacity”Source text

TRUST, n. In American politics, a large corporation composed in greater part of thrifty working men, widows of small means, orphans in the care of guardians and the courts, with many similar malefactors and public enemies.

Ambrose Bierce, The Devil’s Dictionary (1911), entry “Trust”Source text

USAGE, n. The First Person of the literary Trinity, the Second and Third being Custom and Conventionality. Imbued with a decent reverence for this Holy Triad an industrious writer may hope to produce books that will live as long as the fashion.

Ambrose Bierce, The Devil’s Dictionary (1911), entry “Usage”Source text

This clemency of which they make a merit, arises oftentimes from vanity, sometimes from idleness, oftentimes from fear, and almost always from all three combined.

François de La Rochefoucauld, Reflections; or Sentences and Moral Maxims (1665; tr. J. W. Willis Bund and J. Hain Friswell, 1871), Maxim 16Source text

Ideas often flash across our minds more complete than we could make them after much labour.

François de La Rochefoucauld, Reflections; or Sentences and Moral Maxims (1665; tr. J. W. Willis Bund and J. Hain Friswell, 1871), Maxim 101Source text

Idleness and fear keeps us in the path of duty, but our virtue often gets the praise.

François de La Rochefoucauld, Reflections; or Sentences and Moral Maxims (1665; tr. J. W. Willis Bund and J. Hain Friswell, 1871), Maxim 169Source text

It would seem that even self-love may be the dupe of goodness and forget itself when we work for others. And yet it is but taking the shortest way to arrive at its aim, taking usury under the pretext of giving, in fact winning everybody in a subtle and delicate manner.

François de La Rochefoucauld, Reflections; or Sentences and Moral Maxims (1665; tr. J. W. Willis Bund and J. Hain Friswell, 1871), Maxim 236Source text

No one should be praised for his goodness if he has not strength enough to be wicked. All other goodness is but too often an idleness or powerlessness of will.

François de La Rochefoucauld, Reflections; or Sentences and Moral Maxims (1665; tr. J. W. Willis Bund and J. Hain Friswell, 1871), Maxim 237Source text

What makes us so often discontented with those who transact business for us is that they almost always abandon the interest of their friends for the interest of the business, because they wish to have the honour of succeeding in that which they have undertaken.

François de La Rochefoucauld, Reflections; or Sentences and Moral Maxims (1665; tr. J. W. Willis Bund and J. Hain Friswell, 1871), Maxim 278Source text

Moderation cannot claim the merit of opposing and overcoming Ambition: they are never found together. Moderation is the languor and sloth of the soul, Ambition its activity and heat.

François de La Rochefoucauld, Reflections; or Sentences and Moral Maxims (1665; tr. J. W. Willis Bund and J. Hain Friswell, 1871), Maxim 293Source text

Of all our faults that which we most readily admit is idleness: we believe that it makes all virtues ineffectual, and that without utterly destroying, it at least suspends their operation.

François de La Rochefoucauld, Reflections; or Sentences and Moral Maxims (1665; tr. J. W. Willis Bund and J. Hain Friswell, 1871), Maxim 398Source text

The mind attaches itself by idleness and habit to whatever is easy or pleasant. This habit always places bounds to our knowledge, and no one has ever yet taken the pains to enlarge and expand his mind to the full extent of its capacities.

François de La Rochefoucauld, Reflections; or Sentences and Moral Maxims (1665; tr. J. W. Willis Bund and J. Hain Friswell, 1871), Maxim 482Source text

The world of reason is to be regarded as a great and immortal being, who ceaselessly works out what is necessary, and so makes himself lord also over what is accidental.

Johann Wolfgang von Goethe, Maxims and Reflections (1833; tr. Bailey Saunders, 1893), “Life and Character”, no. 4Source text

Tell me with whom you associate, and I will tell you who you are. If I know what your business is, I know what can be made of you.

Johann Wolfgang von Goethe, Maxims and Reflections (1833; tr. Bailey Saunders, 1893), “Life and Character”, no. 7Source text

In the works of mankind, as in those of nature, it is really the motive which is chiefly worth attention.

Johann Wolfgang von Goethe, Maxims and Reflections (1833; tr. Bailey Saunders, 1893), “Life and Character”, no. 10Source text

No one is the master of any truly productive energy; and all men must let it work on by itself.

Johann Wolfgang von Goethe, Maxims and Reflections (1833; tr. Bailey Saunders, 1893), “Life and Character”, no. 164Source text

With Protestants, as soon as good works cease and their merit is denied, sentimentality takes their place.

Johann Wolfgang von Goethe, Maxims and Reflections (1833; tr. Bailey Saunders, 1893), “Life and Character”, no. 205Source text

Every one suffers who does not work for himself. A man works for others to have them share in his joy.

Johann Wolfgang von Goethe, Maxims and Reflections (1833; tr. Bailey Saunders, 1893), “Life and Character”, no. 214Source text

A great work limits us for the moment, because we feel it above our powers; and only in so far as we afterwards incorporate it with our culture, and make it part of our mind and heart, does it become a dear and worthy object.

Johann Wolfgang von Goethe, Maxims and Reflections (1833; tr. Bailey Saunders, 1893), “Life and Character”, no. 220Source text

Great primeval powers, evolved in time or in eternity, work on unceasingly: whether to weal or to woe, is a matter of chance.

Johann Wolfgang von Goethe, Maxims and Reflections (1833; tr. Bailey Saunders, 1893), “Life and Character”, no. 236Source text

No one is more troublesome than an awkward civilian. As his business is not with anything brutal or coarse, he might be expected to show delicacy of feeling.

Johann Wolfgang von Goethe, Maxims and Reflections (1833; tr. Bailey Saunders, 1893), “Life and Character”, no. 259Source text

This it is that has been called, in a good and in a bad sense, ideology; and this is why the ideologist is so repugnant to the hard-working, practical man of every day.

Johann Wolfgang von Goethe, Maxims and Reflections (1833; tr. Bailey Saunders, 1893), “Life and Character”, no. 351Source text

It is not worth while to do anything for the world that we have with us, as the existing order may in a moment pass away. It is for the past and the future that we must work: for the past, to acknowledge its merits; for the future, to try to increase its value.

Johann Wolfgang von Goethe, Maxims and Reflections (1833; tr. Bailey Saunders, 1893), “Life and Character”, no. 364Source text

All lyrical work must, as a whole, be perfectly intelligible, but in some particulars a little unintelligible.

Johann Wolfgang von Goethe, Maxims and Reflections (1833; tr. Bailey Saunders, 1893), “Literature and Art”, no. 421Source text

There are certain empirical enthusiasts who are quite right in showing their enthusiasm over new productions that are good; but they are as ecstatic as if there were no other good work in the world at all.

Johann Wolfgang von Goethe, Maxims and Reflections (1833; tr. Bailey Saunders, 1893), “Literature and Art”, no. 471Source text

An artist who produces valuable work is not always able to give an account of his own or others’ performances.

Johann Wolfgang von Goethe, Maxims and Reflections (1833; tr. Bailey Saunders, 1893), “Literature and Art”, no. 498Source text

To make many sketches issue at last in a complete work is something that not even the best artists always achieve.

Johann Wolfgang von Goethe, Maxims and Reflections (1833; tr. Bailey Saunders, 1893), “Literature and Art”, no. 510Source text

In the sphere of true Art there is no preparatory school, but there is a way of preparation; and the best preparation is the interest of the most insignificant pupil in the work of the master. Colour-grinders have often made excellent painters.

Johann Wolfgang von Goethe, Maxims and Reflections (1833; tr. Bailey Saunders, 1893), “Literature and Art”, no. 511Source text

Inattention to the present business, be it what it will; the doing one thing, and thinking at the same time of another, or the attempting to do two things at once, are the never-failing signs of a little, frivolous mind.

Lord Chesterfield, Letters to His Son (Maxims) (1774), MaximsSource text

In your friendships, and in your enmities, let your confidence and your hostilities have certain bounds: make not the former dangerous, nor the latter irreconcilable. There are strange vicissitudes in business!

Lord Chesterfield, Letters to His Son (Maxims) (1774), MaximsSource text

It is always right to detect a fraud, and to perceive a folly; but it is often very wrong to expose either. A man of business should always have his eyes open; but must often seem to have them shut.

Lord Chesterfield, Letters to His Son (Maxims) (1774), MaximsSource text

It is hard to say which is the greatest fool; he who tells the whole truth, or he who tells no truth at all. Character is as necessary in business as in trade. No man can deceive often in either.

Lord Chesterfield, Letters to His Son (Maxims) (1774), MaximsSource text

A skilful negotiator will most carefully distinguish between the little and the great objects of his business, and will be as frank and open in the former as he will be secret and pertinacious in the latter.

Lord Chesterfield, Letters to His Son (Maxims) (1774), MaximsSource text
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