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Johann Wolfgang von Goethe quotes

1749–1832. German poet, playwright, novelist and scientist. 449 quotes.

Maxims and Reflections (1833; tr. Bailey Saunders, 1893)

Checked against Project Gutenberg eBook #33670.

There is nothing worth thinking but it has been thought before; we must only try to think it again.

“Life and Character”, no. 1Source text

How can a man come to know himself? Never by thinking, but by doing. Try to do your duty, and you will know at once what you are worth.

“Life and Character”, no. 2Source text

But what is your duty? The claims of the day.

“Life and Character”, no. 3Source text

The world of reason is to be regarded as a great and immortal being, who ceaselessly works out what is necessary, and so makes himself lord also over what is accidental.

“Life and Character”, no. 4Source text

Be genuine and strenuous; earn for yourself, and look for, grace from those in high places; from the powerful, favour; from the active and the good, advancement; from the many, affection; from the individual, love.

“Life and Character”, no. 6Source text

Tell me with whom you associate, and I will tell you who you are. If I know what your business is, I know what can be made of you.

“Life and Character”, no. 7Source text

Every man must think after his own fashion; for on his own path he finds a truth, or a kind of truth, which helps him through life. But he must not give himself the rein; he must control himself; mere naked instinct does not become him.

“Life and Character”, no. 8Source text

Unqualified activity, of whatever kind, leads at last to bankruptcy.

“Life and Character”, no. 9Source text

In the works of mankind, as in those of nature, it is really the motive which is chiefly worth attention.

“Life and Character”, no. 10Source text

Men get out of countenance with themselves and others because they treat the means as the end, and so, from sheer doing, do nothing, or, perhaps, just what they would have avoided.

“Life and Character”, no. 11Source text

Our plans and designs should be so perfect in truth and beauty, that in touching them the world could only mar. We should thus have the advantage of setting right what is wrong, and restoring what is destroyed.

“Life and Character”, no. 12Source text

It is a very hard and troublesome thing to dispose of whole, half-, and quarter-mistakes; to sift them and assign the portion of truth to its proper place.

“Life and Character”, no. 13Source text

It is not always needful for truth to take a definite shape; it is enough if it hovers about us like a spirit and produces harmony; if it is wafted through the air like the sound of a bell, grave and kindly.

“Life and Character”, no. 14Source text

General ideas and great conceit are always in a fair way to bring about terrible misfortune.

“Life and Character”, no. 15Source text

You cannot play the flute by blowing alone: you must use your fingers.

“Life and Character”, no. 16Source text

In Botany there is a species of plants called Incompletæ; and just in the same way it can be said that there are men who are incomplete and imperfect. They are those whose desires and struggles are out of proportion to their actions and achievements.

“Life and Character”, no. 17Source text

It is only men of practical ability, knowing their powers and using them with moderation and prudence, who will be successful in worldly affairs.

“Life and Character”, no. 19Source text

It is a great error to take oneself for more than one is, or for less than one is worth.

“Life and Character”, no. 20Source text

But how is a young man to come of himself to see blame in things which every one is busy with, which every one approves and promotes? Why should he not follow his natural bent and go in the same direction as they?

“Life and Character”, no. 22Source text

But on all sides he is threatened by the spirit of the day, and nothing is more needful than to make him see early enough the direction in which his will has to steer.

“Life and Character”, no. 25Source text

Love of truth shows itself in this, that a man knows how to find and value the good in everything.

“Life and Character”, no. 28Source text

Character calls forth character.

“Life and Character”, no. 29Source text

If I am to listen to another man’s opinion, it must be expressed positively. Of things problematical I have enough in myself.

“Life and Character”, no. 30Source text

Superstition is a part of the very being of humanity; and when we fancy that we are banishing it altogether, it takes refuge in the strangest nooks and corners, and then suddenly comes forth again, as soon as it believes itself at all safe.

“Life and Character”, no. 31Source text

I keep silence about many things, for I do not want to put people out of countenance; and I am well content if they are pleased with things that annoy me.

“Life and Character”, no. 32Source text

Everything that frees our spirit without giving us control of ourselves is ruinous.

“Life and Character”, no. 33Source text

A man is really alive only when he delights in the good-will of others.

“Life and Character”, no. 34Source text

Piety is not an end, but a means: a means of attaining the highest culture by the purest tranquillity of soul.

“Life and Character”, no. 35Source text

Hence it may be observed that those who set up piety as an end and object are mostly hypocrites.

“Life and Character”, no. 36Source text

When a man is old he must do more than when he was young.

“Life and Character”, no. 37Source text

To fulfil a duty is still always to feel it as a debt, for it is never quite satisfying to oneself.

“Life and Character”, no. 38Source text

Defects are perceived only by one who has no love; therefore, to see them, a man must become uncharitable, but not more so than is necessary for the purpose.

“Life and Character”, no. 39Source text

The greatest piece of good fortune is that which corrects our deficiencies and redeems our mistakes.

“Life and Character”, no. 40Source text

Reading ought to mean understanding; writing ought to mean knowing something; believing ought to mean comprehending; when you desire a thing, you will have to take it; when you demand it, you will not get it; and when you are experienced, you ought to be useful to others.

“Life and Character”, no. 41Source text

The stream is friendly to the miller whom it serves; it likes to pour over the mill wheels; what is the good of it stealing through the valley in apathy?

“Life and Character”, no. 42Source text

Whoso is content with pure experience and acts upon it has enough of truth. The growing child is wise in this sense.

“Life and Character”, no. 43Source text

Theory is in itself of no use, except in so far as it makes us believe in the connection of phenomena.

“Life and Character”, no. 44Source text

When a man asks too much and delights in complication, he is exposed to perplexity.

“Life and Character”, no. 45Source text

In contemplation as in action, we must distinguish between what may be attained and what is unattainable. Without this, little can be achieved, either in life or in knowledge.

“Life and Character”, no. 48Source text

Le sense commun est le génie de l’humanité.

“Life and Character”, no. 49Source text

There is no piece of foolishness but it can be corrected by intelligence or accident; no piece of wisdom but it can miscarry by lack of intelligence or by accident.

“Life and Character”, no. 50Source text

There are two powers that make for peace: what is right, and what is fitting.

“Life and Character”, no. 53Source text

Justice insists on obligation, law on decorum. Justice weighs and decides, law superintends and orders. Justice refers to the individual, law to society.

“Life and Character”, no. 54Source text

The history of knowledge is a great fugue in which the voices of the nations one after the other emerge.

“Life and Character”, no. 55Source text

If a man is to achieve all that is asked of him, he must take himself for more than he is, and as long as he does not carry it to an absurd length, we willingly put up with it.

“Life and Character”, no. 56Source text

Work makes companionship.

“Life and Character”, no. 57Source text

People whip curds to see if they cannot make cream of them.

“Life and Character”, no. 58Source text

It is much easier to put yourself in the position of a mind taken up with the most absolute error, than of one which mirrors to itself half-truths.

“Life and Character”, no. 59Source text

Wisdom lies only in truth.

“Life and Character”, no. 60Source text

When I err, every one can see it; but not when I lie.

“Life and Character”, no. 61Source text

Is not the world full enough of riddles already, without our making riddles too out of the simplest phenomena?

“Life and Character”, no. 62Source text

The finest hair throws a shadow.’ Erasmus.

“Life and Character”, no. 63Source text

What I have tried to do in my life through false tendencies, I have at last learned to understand.

“Life and Character”, no. 64Source text

Generosity wins favour for every one, especially when it is accompanied by modesty.

“Life and Character”, no. 65Source text

Before the storm breaks, the dust rises violently for the last time—the dust that is soon to be laid forever.

“Life and Character”, no. 66Source text

Men do not come to know one another easily, even with the best will and the best purpose. And then ill-will comes in and distorts everything.

“Life and Character”, no. 67Source text

We should know one another better if one man were not so anxious to put himself on an equality with another.

“Life and Character”, no. 68Source text

Eminent men are therefore in a worse plight than others; for, as we cannot compare ourselves with them, we are on the watch for them.

“Life and Character”, no. 69Source text

In the world the point is, not to know men, but at any given moment to be cleverer than the man who stands before you. You can prove this at every fair and from every charlatan.

“Life and Character”, no. 70Source text

Not everywhere where there is water, are there frogs; but where you have frogs, there you will find water.

“Life and Character”, no. 71Source text

Error is quite right as long as we are young, but we must not carry it on with us into our old age.

“Life and Character”, no. 72Source text

In the formation of species Nature gets, as it were, into a cul-de-sac; she cannot make her way through, and is disinclined to turn back. Hence the stubbornness of national character.

“Life and Character”, no. 73Source text

Every one has something in his nature which, if he were to express it openly, would of necessity give offence.

“Life and Character”, no. 74Source text

If a man thinks about his physical or moral condition, he generally finds that he is ill.

“Life and Character”, no. 75Source text

Nature asks that a man should sometimes be stupefied without going to sleep; hence the pleasure in the smoking of tobacco, the drinking of brandy, the use of opiates.

“Life and Character”, no. 76Source text

The man who is up and doing should see to it that what he does is right. Whether or not right is done, is a matter which should not trouble him.

“Life and Character”, no. 77Source text

Many a man knocks about on the wall with his hammer, and believes that he hits the right nail on the head every time.

“Life and Character”, no. 78Source text

Painting and tattooing of the body is a return to animalism.

“Life and Character”, no. 79Source text

History-writing is a way of getting rid of the past.

“Life and Character”, no. 80Source text

What a man does not understand, he does not possess.

“Life and Character”, no. 81Source text

Not every one who has a pregnant thought delivered to him becomes productive; it probably makes him think of something with which he is quite familiar.

“Life and Character”, no. 82Source text

Favour, as a symbol of sovereignty, is exercised by weak men.

“Life and Character”, no. 83Source text

Every man has enough power left to carry out that of which he is convinced.

“Life and Character”, no. 84Source text

Memory may vanish so long as at the moment judgment does not fail you.

“Life and Character”, no. 85Source text

No nation gains the power of judgment except it can pass judgment on itself. But to attain this great privilege takes a very long time.

“Life and Character”, no. 86Source text

Instead of contradicting my words people ought to act in my spirit.

“Life and Character”, no. 87Source text

Those who oppose intellectual truths do but stir up the fire, and the cinders fly about and burn what they had else not touched.

“Life and Character”, no. 88Source text

Man would not be the finest creature in the world if he were not too fine for it.

“Life and Character”, no. 89Source text

What a long time people were vainly disputing about the Antipodes!

“Life and Character”, no. 90Source text

Certain minds must be allowed their peculiarities.

“Life and Character”, no. 91Source text

Snow is false purity.

“Life and Character”, no. 92Source text

Whoso shrinks from ideas ends by having nothing but sensations.

“Life and Character”, no. 93Source text

Those from whom we are always learning are rightly called our masters; but not every one who teaches us deserves this title.

“Life and Character”, no. 94Source text

It is with you as with the sea: the most varied names are given to what is in the end only salt water.

“Life and Character”, no. 95Source text

It is said that vain self-praise stinks in the nostrils. That may be so; but for the kind of smell which comes from unjust blame by others the public has no nose at all.

“Life and Character”, no. 96Source text

There are problematical natures which are equal to no position in which they find themselves, and which no position satisfies. This it is that causes that hideous conflict which wastes life and deprives it of all pleasure.

“Life and Character”, no. 97Source text

If we do any real good, it is mostly clam, vi, et precario.

“Life and Character”, no. 98Source text

Dirt glitters as long as the sun shines.

“Life and Character”, no. 99Source text

It is difficult to be just to the passing moment. We are bored by it if it is neither good nor bad; but the good moment lays a task upon us, and the bad moment a burden.

“Life and Character”, no. 100Source text

He is the happiest man who can set the end of his life in connection with the beginning.

“Life and Character”, no. 101Source text

So obstinately contradictory is man that you cannot compel him to his advantage, yet he yields before everything that forces him to his hurt.

“Life and Character”, no. 102Source text

Forethought is simple, afterthought manifold.

“Life and Character”, no. 103Source text

A state of things in which every day brings some new trouble is not the right one.

“Life and Character”, no. 104Source text

When people suffer by failing to look before them, nothing is commoner than trying to look out for some possible remedy.

“Life and Character”, no. 105Source text

The Hindoos of the Desert make a solemn vow to eat no fish.

“Life and Character”, no. 106Source text

To venture an opinion is like moving a piece at chess: it may be taken, but it forms the beginning of a game that is won.

“Life and Character”, no. 107Source text

It is as certain as it is strange that truth and error come from one and the same source. Thus it is that we are often not at liberty to do violence to error, because at the same time we do violence to truth.

“Life and Character”, no. 108Source text

Truth belongs to the man, error to his age. This is why it has been said that, while the misfortune of the age caused his error, the force of his soul made him emerge from the error with glory.

“Life and Character”, no. 109Source text

Every one has his peculiarities and cannot get rid of them; and yet many a one is destroyed by his peculiarities, and those too of the most innocent kind.

“Life and Character”, no. 110Source text

If a man does think too much of himself, he is more than he believes himself to be.

“Life and Character”, no. 111Source text

In art and knowledge, as also in deed and action, everything depends on a pure apprehension of the object and a treatment of it according to its nature.

“Life and Character”, no. 112Source text

When intelligent and sensible people despise knowledge in their old age, it is only because they have asked too much of it and of themselves.

“Life and Character”, no. 113Source text

I pity those who make much ado about the transitory nature of all things and are lost in the contemplation of earthly vanity: are we not here to make the transitory permanent? This we can do only if we know how to value both.

“Life and Character”, no. 114Source text

A rainbow which lasts a quarter of an hour is looked at no more.

“Life and Character”, no. 115Source text

Faith is private capital, kept in one’s own house. There are public savings-banks and loan-offices, which supply individuals in their day of need; but here the creditor quietly takes his interest for himself.

“Life and Character”, no. 117Source text

Real obscurantism is not to hinder the spread of what is true, clear, and useful, but to bring into vogue what is false.

“Life and Character”, no. 118Source text

Truth is a torch, but a huge one, and so it is only with blinking eyes that we all of us try to get past it, in actual terror of being burnt.

“Life and Character”, no. 120Source text

The wise have much in common with one another.’ Æschylus.

“Life and Character”, no. 121Source text

The really foolish thing in men who are otherwise intelligent is that they fail to understand what another person says, when he does not exactly hit upon the right way of saying it.

“Life and Character”, no. 122Source text

Because a man speaks, he thinks he is able to speak about language.

“Life and Character”, no. 123Source text

One need only grow old to become gentler in one’s judgments. I see no fault committed which I could not have committed myself.

“Life and Character”, no. 124Source text

The man who acts never has any conscience; no one has any conscience but the man who thinks.

“Life and Character”, no. 125Source text

Why should those who are happy expect one who is miserable to die before them in a graceful attitude, like the gladiator before the Roman mob?

“Life and Character”, no. 126Source text

Some one asked Timon about the education of his children. ‘Let them,’ he said, ‘be instructed in that which they will never understand.’

“Life and Character”, no. 127Source text

There are people whom I wish well, and would that I could wish better.

“Life and Character”, no. 128Source text

By force of habit we look at a clock that has run down as if it were still going, and we gaze at the face of a beauty as though she still loved.

“Life and Character”, no. 129Source text

Hatred is active displeasure, envy passive. We need not wonder that envy turns so soon to hatred.

“Life and Character”, no. 130Source text

There is something magical in rhythm; it even makes us believe that we possess the sublime.

“Life and Character”, no. 131Source text

Dilettantism treated seriously, and knowledge pursued mechanically, end by becoming pedantry.

“Life and Character”, no. 132Source text

No one but the master can promote the cause of Art. Patrons help the master,—that is right and proper; but that does not always mean that Art is helped.

“Life and Character”, no. 133Source text

The most foolish of all errors is for clever young men to believe that they forfeit their originality in recognising a truth which has already been recognised by others.

“Life and Character”, no. 134Source text

Scholars are generally malignant when they are refuting others; and if they think a man is making a mistake, they straightway look upon him as their mortal enemy.

“Life and Character”, no. 135Source text

Beauty can never really understand itself.

“Life and Character”, no. 136Source text

It is much easier to recognise error than to find truth; for error lies on the surface and may be overcome; but truth lies in the depths, and to search for it is not given to every one.

“Life and Character”, no. 137Source text

We all live on the past, and through the past are destroyed.

“Life and Character”, no. 138Source text

We are no sooner about to learn some great lesson than we take refuge in our own innate poverty of soul, and yet for all that the lesson has not been quite in vain.

“Life and Character”, no. 139Source text

The world of empirical morality consists for the most part of nothing but ill-will and envy.

“Life and Character”, no. 140Source text

Life seems so vulgar, so easily content with the commonplace things of every day, and yet it always nurses and cherishes certain higher claims in secret, and looks about for the means of satisfying them.

“Life and Character”, no. 141Source text

Confidences are strange things. If you listen only to one man, it is possible that he is deceived or mistaken; if you listen to many, they are in a like case; and, generally, you cannot get at the truth at all.

“Life and Character”, no. 142Source text

No one should desire to live in irregular circumstances; but if by chance a man falls into them, they test his character and show of how much determination he is capable.

“Life and Character”, no. 143Source text

An honourable man with limited ideas often sees through the rascality of the most cunning jobber.

“Life and Character”, no. 144Source text

If a man feels no love, he must learn how to flatter; otherwise he will not succeed.

“Life and Character”, no. 145Source text

Against criticism a man can neither protest nor defend himself; he must act in spite of it, and then criticism will gradually yield to him.

“Life and Character”, no. 146Source text

The masses cannot dispense with men of ability, and such men are always a burden to them.

“Life and Character”, no. 147Source text

If a man spreads my failings abroad, he is my master, even though he were my servant.

“Life and Character”, no. 148Source text

Whether memoirs are written by masters of servants, or by servants of masters, the processes always meet.

“Life and Character”, no. 149Source text

If you lay duties upon people and give them no rights, you must pay them well.

“Life and Character”, no. 150Source text

I can promise to be sincere, but not to be impartial.

“Life and Character”, no. 151Source text

Ingratitude is always a kind of weakness. I have never known men of ability to be ungrateful.

“Life and Character”, no. 152Source text

We are all so limited that we always think we are right; and so we may conceive of an extraordinary mind which not only errs but has a positive delight in error.

“Life and Character”, no. 153Source text

It is very rare to find pure and steady activity in the accomplishment of what is good and right. We usually see pedantry trying to keep back, and audacity trying to go on too fast.

“Life and Character”, no. 154Source text

For the man of the world a collection of anecdotes and maxims is of the greatest value, if he knows how to intersperse the one in his conversation at fitting moments, and remember the other when a case arises for their application.

“Life and Character”, no. 156Source text

When you lose interest in anything, you also lose the memory for it.

“Life and Character”, no. 157Source text

The world is a bell with a crack in it; it rattles, but does not ring.

“Life and Character”, no. 158Source text

The importunity of young dilettanti must be borne with good-will; for as they grow old they become the truest worshippers of Art and the Master.

“Life and Character”, no. 159Source text

People have to become really bad before they care for nothing but mischief, and delight in it.

“Life and Character”, no. 160Source text

Clever people are the best encyclopædia.

“Life and Character”, no. 161Source text

There are people who make no mistakes because they never wish to do anything worth doing.

“Life and Character”, no. 162Source text

If I know my relation to myself and the outer world, I call it truth. Every man can have his own peculiar truth; and yet it is always the same.

“Life and Character”, no. 163Source text

No one is the master of any truly productive energy; and all men must let it work on by itself.

“Life and Character”, no. 164Source text

A man never understands how anthropomorphic he is.

“Life and Character”, no. 165Source text

A difference which offers nothing to the understanding is no difference at all.

“Life and Character”, no. 166Source text

A man cannot live for every one; least of all for those with whom he would not care to live.

“Life and Character”, no. 167Source text

If a man sets out to study all the laws, he will have no time left to transgress them.

“Life and Character”, no. 168Source text

Things that are mysterious are not yet miracles.

“Life and Character”, no. 169Source text

Converts are not in my good books.

“Life and Character”, no. 170Source text

A frivolous impulsive encouragement of problematical talents was a mistake of my early years; and I have never been able to abandon it altogether.

“Life and Character”, no. 171Source text

I should like to be honest with you, without our falling out; but it will not do. You act wrongly, and fall between two stools; you win no adherents and lose your friends. What is to be the end of it?

“Life and Character”, no. 172Source text

It is all one whether you are of high or of humble origin. You will always have to pay for your humanity.

“Life and Character”, no. 173Source text

If a clever man commits a folly, it is not a small one.

“Life and Character”, no. 175Source text

There is a poetry without figures of speech, which is a single figure of speech.

“Life and Character”, no. 176Source text

I went on troubling myself about general ideas until I learnt to understand the particular achievements of the best men.

“Life and Character”, no. 177Source text

It is only when a man knows little, that he knows anything at all. With knowledge grows doubt.

“Life and Character”, no. 178Source text

The errors of a man are what make him really lovable.

“Life and Character”, no. 179Source text

There are men who love their like and seek it; others love their opposite and follow after it.

“Life and Character”, no. 180Source text

If a man has always let himself think the world as bad as the adversary represents it to be, he must have become a miserable person.

“Life and Character”, no. 181Source text

Ill-favour and hatred limit the spectator to the surface, even when keen perception is added unto them; but when keen perception unites with good-will and love, it gets at the heart of man and the world; nay, it may hope to reach the highest goal of all.

“Life and Character”, no. 182Source text

Raw matter is seen by every one; the contents are found only by him who has his eyes about him; and the form is a secret to the majority.

“Life and Character”, no. 183Source text

We may learn to know the world as we please: it will always retain a bright and a dark side.

“Life and Character”, no. 184Source text

Error is continually repeating itself in action, and we must unweariedly repeat the truth in word.

“Life and Character”, no. 185Source text

As in Rome there is, apart from the Romans, a population of statues, so apart from this real world there is a world of illusion, almost more potent, in which most men live.

“Life and Character”, no. 186Source text

Mankind is like the Red Sea: the staff has scarcely parted the waves asunder, before they flow together again.

“Life and Character”, no. 187Source text

Thoughts come back; beliefs persist; facts pass by never to return.

“Life and Character”, no. 188Source text

Of all peoples, the Greeks have dreamt the dream of life the best.

“Life and Character”, no. 189Source text

We readily bow to antiquity, but not to posterity. It is only a father that does not grudge talent to his son.

“Life and Character”, no. 190Source text

There is no virtue in subordinating oneself; but there is virtue in descending, and in recognising anything as above us, which is beneath us.

“Life and Character”, no. 191Source text

The whole art of living consists in giving up existence in order to exist.

“Life and Character”, no. 192Source text

All our pursuits and actions are a wearying process. Well is it for him who wearies not.

“Life and Character”, no. 193Source text

Hope is the second soul of the unhappy.

“Life and Character”, no. 194Source text

Love is a true renovator.

“Life and Character”, no. 195Source text

Mankind is not without a wish to serve; hence the chivalry of the French is a servitude.

“Life and Character”, no. 196Source text

In the theatre the pleasure of what we see and hear restrains our reflections.

“Life and Character”, no. 197Source text

Truth is at variance with our natures, but not so error; and for a very simple reason. Truth requires us to recognise ourselves as limited, but error flatters us with the belief that in one way or another we are subject to no bounds at all.

“Life and Character”, no. 199Source text

That some men think they can still do what they have been able to do, is natural enough; that others think they can do what they have never been able to do, is singular, but not rare.

“Life and Character”, no. 200Source text

At all times it has not been the age, but individuals alone, who have worked for knowledge. It was the age which put Socrates to death by poison, the age which burnt Huss. The ages have always remained alike.

“Life and Character”, no. 201Source text

That is true Symbolism, where the more particular represents the more general, not as a dream or shade, but as a vivid, instantaneous revelation of the Inscrutable.

“Life and Character”, no. 202Source text

Everything of an abstract or symbolic nature, as soon as it is challenged by realities, ends by consuming them and itself. So credit consumes both money and itself.

“Life and Character”, no. 203Source text

Mastery often passes for egoism.

“Life and Character”, no. 204Source text

With Protestants, as soon as good works cease and their merit is denied, sentimentality takes their place.

“Life and Character”, no. 205Source text

If a man knows where to get good advice, it is as though he could supply it himself.

“Life and Character”, no. 206Source text

The use of mottoes is to indicate something we have not attained, but strive to attain. It is right to keep them always before our eyes.

“Life and Character”, no. 207Source text

If a man cannot lift a stone himself, let him leave it, even though he has some one to help him.

“Life and Character”, no. 208Source text

Despotism promotes general self-government, because from top to bottom it makes the individual responsible, and so produces the highest degree of activity.

“Life and Character”, no. 209Source text

A man must pay dear for his errors if he wishes to get rid of them, and even then he is lucky.

“Life and Character”, no. 210Source text

Enthusiasm is of the greatest value, so long as we are not carried away by it.

“Life and Character”, no. 211Source text

School itself is the only true preparation for it.

“Life and Character”, no. 212Source text

Error is related to truth as sleep to waking. I have observed that on awakening from error a man turns again to truth as with new vigour.

“Life and Character”, no. 213Source text

Every one suffers who does not work for himself. A man works for others to have them share in his joy.

“Life and Character”, no. 214Source text

Men’s prejudices rest upon their character for the time being and cannot be overcome, as being part and parcel of themselves. Neither evidence nor common-sense nor reason has the slightest influence upon them.

“Life and Character”, no. 215Source text

All men, as they attain freedom, give play to their errors. The strong do too much, and the weak too little.

“Life and Character”, no. 218Source text

A great work limits us for the moment, because we feel it above our powers; and only in so far as we afterwards incorporate it with our culture, and make it part of our mind and heart, does it become a dear and worthy object.

“Life and Character”, no. 220Source text

It is no wonder that we all more or less delight in the mediocre, because it leaves us in peace: it gives us the comfortable feeling of intercourse with what is like ourselves.

“Life and Character”, no. 221Source text

There is no use in reproving vulgarity, for it never changes.

“Life and Character”, no. 222Source text

We cannot escape a contradiction in ourselves; we must try to resolve it. If the contradiction comes from others, it does not affect us: it is their affair.

“Life and Character”, no. 223Source text

There are many things in the world that are at once good and excellent, but they do not come into contact.

“Life and Character”, no. 224Source text

Which is the best government? That which teaches us to govern ourselves.

“Life and Character”, no. 225Source text

However probable it is that a desire may be fulfilled, there is always a doubt; and so when the desire is realised, it is always surprising.

“Life and Character”, no. 228Source text

Absurdities presented with good taste rouse disgust and admiration.

“Life and Character”, no. 229Source text

Of the best society it used to be said: their speech instructs the mind, and their silence the feelings.

“Life and Character”, no. 230Source text

Nothing is more terrible than ignorance in action.

“Life and Character”, no. 231Source text

We treat the aged with consideration, as we treat children.

“Life and Character”, no. 233Source text

An old man loses one of the greatest of human privileges: he is no more judged by his peers.

“Life and Character”, no. 234Source text

In the matter of knowledge, it has happened to me as to one who rises early, and in the dark impatiently awaits the dawn, and then the sun; but is blinded when it appears.

“Life and Character”, no. 235Source text

Great primeval powers, evolved in time or in eternity, work on unceasingly: whether to weal or to woe, is a matter of chance.

“Life and Character”, no. 236Source text

Of the Absolute in the theoretical sense, I do not venture to speak; but this I maintain: that if a man recognises it in its manifestation, and always keeps his gaze fixed upon it, he will experience very great reward.

“Life and Character”, no. 238Source text

To live in a great idea means to treat the impossible as though it were possible. It is just the same with a strong character; and when an idea and a character meet, things arise which fill the world with wonder for thousands of years.

“Life and Character”, no. 239Source text

Man is placed as a real being in the midst of a real world, and endowed with such organs that he can perceive and produce the real and also the possible.

“Life and Character”, no. 243Source text

To the several perversities of the day a man should always oppose only the great masses of universal history.

“Life and Character”, no. 244Source text

No one can live much with children without finding that they always react to any outward influence upon them.

“Life and Character”, no. 245Source text

With any specially childish nature the reaction is even passionate, while its action is energetic.

“Life and Character”, no. 246Source text

That is why children’s lives are a series of refined judgments, not to say prejudices; and to efface a rapid but partial perception in order to make way for a more general one, time is necessary. To bear this in mind is one of the teacher’s greatest duties.

“Life and Character”, no. 247Source text

In the world people take a man at his own estimate; but he must estimate himself at something. Disagreeableness is more easily tolerated than insignificance.

“Life and Character”, no. 249Source text

You can force anything on society so long as it has no sequel.

“Life and Character”, no. 250Source text

We do not learn to know men if they come to us; we must go to them to find out what they are.

“Life and Character”, no. 251Source text

What we call conduct and good manners obtains for us that which otherwise is to be obtained only by force, or not even by force.

“Life and Character”, no. 254Source text

How can the character, the peculiar nature of a man, be compatible with good manners?

“Life and Character”, no. 256Source text

It is through his good manners that a man’s peculiar nature should be made all the more conspicuous. Every one likes distinction, but it should not be disagreeable.

“Life and Character”, no. 257Source text

The most privileged position, in life as in society, is that of an educated soldier. Rough warriors, at any rate, remain true to their character, and as great strength is usually the cover for good nature, we get on with them at need.

“Life and Character”, no. 258Source text

No one is more troublesome than an awkward civilian. As his business is not with anything brutal or coarse, he might be expected to show delicacy of feeling.

“Life and Character”, no. 259Source text

When we live with people who have a delicate sense of what is fitting, we get quite anxious about them if anything happens to disturb this sense.

“Life and Character”, no. 260Source text

A familiar in the place of a respectful demeanour is always ridiculous.

“Life and Character”, no. 262Source text

There is no outward sign of politeness that will be found to lack some deep moral foundation. The right kind of education would be that which conveyed the sign and the foundation at the same time.

“Life and Character”, no. 263Source text

A man’s manners are the mirror in which he shows his portrait.

“Life and Character”, no. 264Source text

There is a politeness of the heart, and it is allied to love. It produces the most agreeable politeness of outward demeanour.

“Life and Character”, no. 263Source text

Voluntary dependence is the best state, and how should that be possible without love?

“Life and Character”, no. 266Source text

We are never further from our wishes than when we fancy we possess the object of them.

“Life and Character”, no. 267Source text

A man has only to declare himself free to feel at the same moment that he is limited. Should he venture to declare himself limited, he feels himself free.

“Life and Character”, no. 269Source text

Against the great superiority of another there is no remedy but love.

“Life and Character”, no. 270Source text

It is a terrible thing for an eminent man to be gloried in by fools.

“Life and Character”, no. 271Source text

It is said that no man is a hero to his valet. That is only because a hero can be recognised only by a hero. The valet will probably know how to appreciate his like,—his fellow-valet.

“Life and Character”, no. 272Source text

There is no greater consolation for mediocrity than that the genius is not immortal.

“Life and Character”, no. 273Source text

The greatest men are linked to their age by some weak point.

“Life and Character”, no. 274Source text

We generally take men to be more dangerous than they are.

“Life and Character”, no. 275Source text

Fools and wise folk are alike harmless. It is the half-wise, and the half-foolish, who are the most dangerous.

“Life and Character”, no. 276Source text

To see a difficult thing lightly handled gives us the impression of the impossible.

“Life and Character”, no. 277Source text

Difficulties increase the nearer we come to our aim.

“Life and Character”, no. 278Source text

Sowing is not so painful as reaping.

“Life and Character”, no. 279Source text

We are fond of looking to the future, because our secret wishes make us apt to turn in our favour the uncertainties which move about in it hither and thither.

“Life and Character”, no. 280Source text

It is not easy to be in any great assembly without thinking that the chance which brings so many people together will also make us meet our friends.

“Life and Character”, no. 281Source text

A man may live never so retired a life but he becomes a debtor or a creditor before he is aware of it.

“Life and Character”, no. 282Source text

If anyone meets us who owes us a debt of gratitude, it immediately crosses our mind. How often can we meet some one to whom we owe gratitude, without thinking of it!

“Life and Character”, no. 283Source text

To communicate oneself is Nature; to receive a communication as it is given is Culture.

“Life and Character”, no. 284Source text

No one would speak much in society if he were aware how often we misunderstand others.

“Life and Character”, no. 285Source text

It is only because we have not understood a thing that we cannot repeat it without alteration.

“Life and Character”, no. 286Source text

To make a long speech in the presence of others without flattering your audience, is to rouse dislike.

“Life and Character”, no. 287Source text

Every word that we utter rouses its contrary.

“Life and Character”, no. 288Source text

Contradiction and flattery make, both of them, bad conversation.

“Life and Character”, no. 289Source text

The pleasantest society is that in which there exists a genial deference amongst the members one towards another.

“Life and Character”, no. 290Source text

By nothing do men show their character more than by the things they laugh at.

“Life and Character”, no. 291Source text

The ridiculous springs from a moral contrast innocently presented to the senses.

“Life and Character”, no. 292Source text

The sensual man often laughs when there is nothing to laugh at. Whatever it is that moves him, he shows that he is pleased with himself.

“Life and Character”, no. 293Source text

An intelligent man finds almost everything ridiculous, a wise man hardly anything.

“Life and Character”, no. 294Source text

A man does not mind being blamed for his faults, and being punished for them, and he patiently suffers much for the sake of them; but he becomes impatient if he is required to give them up.

“Life and Character”, no. 296Source text

Certain faults are necessary to the individual if he is to exist. We should not like old friends to give up certain peculiarities.

“Life and Character”, no. 297Source text

It is said of a man that he will soon die, when he acts in any way unlike himself.

“Life and Character”, no. 298Source text

What kind of faults in ourselves should we retain, nay, even cultivate? Those which rather flatter other people than offend them.

“Life and Character”, no. 299Source text

The passions are good or bad qualities, only intensified.

“Life and Character”, no. 300Source text

Our passions are, in truth, like the phoenix. When the old one burns away, the new one rises out of its ashes at once.

“Life and Character”, no. 301Source text

Great passions are hopeless diseases. That which could cure them is the first thing to make them really dangerous.

“Life and Character”, no. 302Source text

Passion is enhanced and tempered by avowal. In nothing, perhaps, is the middle course more desirable than in confidence and reticence towards those we love.

“Life and Character”, no. 303Source text

To sit in judgment on the departed is never likely to be equitable. We all suffer from life; who except God can call us to account? Let not their faults and sufferings, but what they have accomplished and done, occupy the survivors.

“Life and Character”, no. 304Source text

It is failings that show human nature, and merits that distinguish the individual; faults and misfortunes we all have in common; virtues belong to each one separately.

“Life and Character”, no. 305Source text

The secret places in the way of life may not and cannot be revealed: there are rocks of offence on which every traveller must stumble. But the poet points to where they are.

“Life and Character”, no. 306Source text

It would not be worth while to see seventy years if all the wisdom of this world were foolishness with God.

“Life and Character”, no. 307Source text

The true is Godlike: we do not see it itself; we must guess at it through its manifestations.

“Life and Character”, no. 308Source text

The real scholar learns how to evolve the unknown from the known, and draws near the master.

“Life and Character”, no. 309Source text

In the smithy the iron is softened by blowing up the fire, and taking the dross from the bar. As soon as it is purified, it is beaten and pressed, and becomes firm again by the addition of fresh water. The same thing happens to a man at the hands of his teacher.

“Life and Character”, no. 310Source text

What belongs to a man, he cannot get rid of, even though he throws it away.

“Life and Character”, no. 311Source text

Of true religions there are only two: one of them recognises and worships the Holy that without form or shape dwells in and around us; and the other recognises and worships it in its fairest form. Everything that lies between these two is idolatry.

“Life and Character”, no. 312Source text

As a coal is revived by incense, so prayer revives the hopes of the heart.

“Life and Character”, no. 315Source text

From a strict point of view we must have a reformation of ourselves every day, and protest against others, even though it be in no religious sense.

“Life and Character”, no. 316Source text

It should be our earnest endeavour to use words coinciding as closely as possible with what we feel, see, think, experience, imagine, and reason. It is an endeavour which we cannot evade, and which is daily to be renewed.

“Life and Character”, no. 317Source text

As we grow older, the ordeals grow greater.

“Life and Character”, no. 318Source text

Where I cannot be moral, my power is gone.

“Life and Character”, no. 319Source text

A man is not deceived by others, he deceives himself.

“Life and Character”, no. 320Source text

It is not the intelligent man who rules, but intelligence; not the wise man, but wisdom.

“Life and Character”, no. 322Source text

To praise a man is to put oneself on his level.

“Life and Character”, no. 323Source text

It is not enough to know, we must also apply; it is not enough to will, we must also do.

“Life and Character”, no. 324Source text

The German runs no greater danger than to advance with and by the example of his neighbours. There is perhaps no nation that is fitter for the process of self-development; so that it has proved of the greatest advantage to Germany to have obtained the notice of the world so late.

“Life and Character”, no. 326Source text

Even men of insight do not see that they try to explain things which lie at the foundation of our experience, and in which we must simply acquiesce.

“Life and Character”, no. 327Source text

From this time forward, if a man does not apply himself to some art or handiwork, he will be in a bad way. In the rapid changes of the world, knowledge is no longer a furtherance; by the time a man has taken note of everything, he has lost himself.

“Life and Character”, no. 328Source text

Besides, in these days the world forces universal culture upon us, and so we need not trouble ourselves further about it; we must appropriate some particular culture.

“Life and Character”, no. 329Source text

The greatest difficulties lie where we do not look for them.

“Life and Character”, no. 330Source text

Our interest in public events is mostly the merest philistinism.

“Life and Character”, no. 331Source text

Nothing is more highly to be prized than the value of each day.

“Life and Character”, no. 332Source text

Strictly speaking, everything depends upon a man’s intentions; where these exist, thoughts appear; and as the intentions are, so are the thoughts.

“Life and Character”, no. 334Source text

If a man lives long in a high position, he does not, it is true, experience all that a man can experience; but he experiences things like them, and perhaps some things that have no parallel elsewhere.

“Life and Character”, no. 335Source text

The first and last thing that is required of genius is love of truth.

“Life and Character”, no. 336Source text

To be and remain true to oneself and others, is to possess the noblest attribute of the greatest talents.

“Life and Character”, no. 337Source text

Great talents are the best means of conciliation.

“Life and Character”, no. 338Source text

The action of genius is in a way ubiquitous: towards general truths before experience, and towards particular truths after it.

“Life and Character”, no. 339Source text

An active scepticism is one which constantly aims at overcoming itself, and arriving by means of regulated experience at a kind of conditioned certainty.

“Life and Character”, no. 340Source text

The general nature of the sceptical mind is its tendency to inquire whether any particular predicate really attaches to any particular object; and the purpose of the inquiry is safely to apply in practice what has thus been discovered and proved.

“Life and Character”, no. 341Source text

The mind endowed with active powers and keeping with a practical object to the task that lies nearest, is the worthiest there is on earth.

“Life and Character”, no. 342Source text

Perfection is the measure of heaven, and the wish to be perfect the measure of man.

“Life and Character”, no. 343Source text

Not only what is born with him, but also what he acquires, makes the man.

“Life and Character”, no. 344Source text

A man is well equipped for all the real necessities of life if he trusts his senses, and so cultivates them that they remain worthy of being trusted.

“Life and Character”, no. 345Source text

The senses do not deceive; it is the judgment that deceives.

“Life and Character”, no. 346Source text

The lower animal is taught by its organs; man teaches his organs, and dominates them.

“Life and Character”, no. 347Source text

When a great idea enters the world as a Gospel, it becomes an offence to the multitude, which stagnates in pedantry; and to those who have much learning but little depth, it is folly.

“Life and Character”, no. 349Source text

Every idea appears at first as a strange visitor, and when it begins to be realised, it is hardly distinguishable from phantasy and phantastery.

“Life and Character”, no. 350Source text

This it is that has been called, in a good and in a bad sense, ideology; and this is why the ideologist is so repugnant to the hard-working, practical man of every day.

“Life and Character”, no. 351Source text

You may recognise the utility of an idea, and yet not quite understand how to make a perfect use of it.

“Life and Character”, no. 352Source text

Credo Deum! That is a fine, a worthy thing to say; but to recognise God where and as he reveals himself, is the only true bliss on earth.

“Life and Character”, no. 353Source text

Kepler said: ‘My wish is that I may perceive the God whom I find everywhere in the external world, in like manner also within and inside me.’ The good man was not aware that in that very moment the divine in him stood in the closest connection with the divine in the Universe.

“Life and Character”, no. 354Source text

What is predestination? It is this: God is mightier and wiser than we are, and so he does with us as he pleases.

“Life and Character”, no. 355Source text

Toleration should, strictly speaking, be only a passing mood; it ought to lead to acknowledgment and appreciation. To tolerate a person is to affront him.

“Life and Character”, no. 356Source text

Faith, Love, and Hope once felt, in a quiet sociable hour, a plastic impulse in their nature; they worked together and created a lovely image, a Pandora in the higher sense, Patience.

“Life and Character”, no. 357Source text

I stumbled over the roots of the tree which I planted.’ It must have been an old forester who said that.

“Life and Character”, no. 358Source text

A leaf blown by the wind often looks like a bird.

“Life and Character”, no. 359Source text

Does the sparrow know how the stork feels?

“Life and Character”, no. 360Source text

Lamps make oil-spots, and candles want snuffing; it is only the light of heaven that shines pure and leaves no stain.

“Life and Character”, no. 361Source text

If you miss the first button-hole, you will not succeed in buttoning up your coat.

“Life and Character”, no. 362Source text

A burnt child dreads the fire; an old man who has often been singed is afraid of warming himself.

“Life and Character”, no. 363Source text

It is not worth while to do anything for the world that we have with us, as the existing order may in a moment pass away. It is for the past and the future that we must work: for the past, to acknowledge its merits; for the future, to try to increase its value.

“Life and Character”, no. 364Source text

Let every man ask himself with which of his faculties he can and will somehow influence his age.

“Life and Character”, no. 365Source text

Let no one think that people have waited for him as for the Saviour.

“Life and Character”, no. 366Source text

Character in matters great and small consists in a man steadily pursuing the things of which he feels himself capable.

“Life and Character”, no. 367Source text

The moment is a kind of public; a man must deceive it into believing that he is doing something; then it leaves us alone to go our way in secret; whereat its grandchildren cannot fail to be astonished.

“Life and Character”, no. 369Source text

There are men who put their knowledge in the place of insight.

“Life and Character”, no. 370Source text

There is no sadder sight than the direct striving after the unconditioned in this thoroughly conditioned world.

“Life and Character”, no. 372Source text

Before the Revolution it was all effort; afterwards it all changed to demand.

“Life and Character”, no. 373Source text

Vanity is a desire of personal glory, the wish to be appreciated, honoured, and run after, not because of one’s personal qualities, merits, and achievements, but because of one’s individual existence. At best, therefore, it is a frivolous beauty whom it befits.

“Life and Character”, no. 376Source text

Both what is reasonable and what is unreasonable have to undergo the like contradiction.

“Life and Character”, no. 378Source text

Dialectic is the culture of the spirit of contradiction, which is given to man that he may learn to perceive the differences between things.

“Life and Character”, no. 379Source text

With those who are really of like disposition with himself a man cannot long be at variance; he will always come to an agreement again. With those who are really of adverse disposition, he may in vain try to preserve harmony; he will always come to a separation again.

“Life and Character”, no. 380Source text

Opponents fancy they refute us when they repeat their own opinion and pay no attention to ours.

“Life and Character”, no. 381Source text

People who contradict and dispute should now and then remember that not every mode of speech is intelligible to every one.

“Life and Character”, no. 382Source text

Every man hears only what he understands.

“Life and Character”, no. 383Source text

I am quite prepared to find that many a reader will disagree with me; but when he has a thing before him in black and white, he must let it stand. Another reader may perhaps take up the very same copy and agree with me.

“Life and Character”, no. 384Source text

The truest liberality is appreciation.

“Life and Character”, no. 385Source text

For the strenuous man the difficulty is to recognise the merits of elder contemporaries and not let himself be hindered by their defects.

“Life and Character”, no. 386Source text

Some men think about the defects of their friends, and there is nothing to be gained by it. I have always paid attention to the merits of my enemies, and found it an advantage.

“Life and Character”, no. 387Source text

There are many men who fancy they understand whatever they experience.

“Life and Character”, no. 388Source text

When a man grows old he must consciously remain at a certain stage.

“Life and Character”, no. 391Source text

It does not become an old man to run after the fashion, either in thought or in dress. But he must know where he is, and what the others are aiming at.

“Life and Character”, no. 392Source text

The thinker makes a great mistake when he asks after cause and effect: they both together make up the indivisible phenomenon.

“Life and Character”, no. 394Source text

All practical men try to bring the world under their hands; all thinkers, under their heads. How far each succeeds, they may both see for themselves.

“Life and Character”, no. 395Source text

Shall we say that a man thinks only when he cannot think out that of which he is thinking?

“Life and Character”, no. 396Source text

What is invention or discovery? It is the conclusion of what we were looking for.

“Life and Character”, no. 397Source text

Every phenomenon is within our reach if we treat it as an inclined plane, which is of easy ascent, though the thick end of the wedge may be steep and inaccessible.

“Life and Character”, no. 399Source text

If a man would enter upon some course of knowledge, he must either be deceived or deceive himself, unless external necessity irresistibly determines him. Who would become a physician if, at one and the same time, he saw before him all the horrible sights that await him?

“Life and Character”, no. 400Source text

How many years must a man do nothing before he can at all know what is to be done and how to do it!

“Life and Character”, no. 401Source text

Duty: where a man loves what he commands himself to do.

“Life and Character”, no. 402Source text

Literature is a fragment of fragments: the least of what happened and was spoken, has been written; and of the things that have been written, very few have been preserved.

“Literature and Art”, no. 404Source text

And yet, with all the fragmentary nature of literature, we find thousand fold repetition; which shows how limited is man’s mind and destiny.

“Literature and Art”, no. 405Source text

Excellent work is unfathomable, approach it as you will.

“Literature and Art”, no. 406Source text

The appeal to posterity springs from the pure, strong feeling of the existence of something imperishable; something that, even though it be not at once recognised, will in the end be gratified by finding the minority turn into a majority.

“Literature and Art”, no. 408Source text

When a new literature succeeds, it obscures the effect of an earlier one, and its own effect predominates; so that it is well, from time to time, to look back. What is original in us is best preserved and quickened if we do not lose sight of those who have gone before us.

“Literature and Art”, no. 409Source text

The most original authors of modern times are so, not because they produce what is new, but only because they are able to say things the like of which seem never to have been said before.

“Literature and Art”, no. 410Source text

Thus the best sign of originality lies in taking up a subject and then developing it so fully as to make every one confess that he would hardly have found so much in it.

“Literature and Art”, no. 411Source text

There are many thoughts that come only from general culture, like buds from green branches. When roses bloom, you see them blooming everywhere.

“Literature and Art”, no. 412Source text

Lucidity is a due distribution of light and shade.’ Hamann.

“Literature and Art”, no. 413Source text

A man who has no acquaintance with foreign languages knows nothing of his own.

“Literature and Art”, no. 414Source text

We must remember that there are many men who, without being productive, are anxious to say something important, and the results are most curious.

“Literature and Art”, no. 415Source text

Deep and earnest thinkers are in a difficult position with regard to the public.

“Literature and Art”, no. 416Source text

Some books seem to have been written, not to teach us anything, but to let us know that the author has known something.

“Literature and Art”, no. 417Source text

An author can show no greater respect for his public than by never bringing it what it expects, but what he himself thinks right and proper in that stage of his own and others’ culture in which for the time he finds himself.

“Literature and Art”, no. 418Source text

The so-called Nature-poets are men of active talent, with a fresh stimulus and reaction from an over-cultured, stagnant, mannered epoch of art. They cannot avoid commonplace.

“Literature and Art”, no. 419Source text

Productions are now possible which, without being bad, have no value. They have no value, because they contain nothing; and they are not bad, because a general form of good-workmanship is present to the author’s mind.

“Literature and Art”, no. 420Source text

All lyrical work must, as a whole, be perfectly intelligible, but in some particulars a little unintelligible.

“Literature and Art”, no. 421Source text

A romance is a subjective epic in which the author begs leave to treat the world after his own ideas. The only question is, whether he has any ideas; the rest will follow of itself.

“Literature and Art”, no. 422Source text

Superstition is the poetry of life, and so it does not hurt the poet to be superstitious.

“Literature and Art”, no. 424Source text

That glorious hymn, Veni Creator Spiritus, is really an appeal to genius. That is why it speaks so powerfully to men of intellect and power.

“Literature and Art”, no. 425Source text

Translators are like busy match-makers: they sing the praises of some half-veiled beauty, and extol her charms, and arouse an irresistible longing for the original.

“Literature and Art”, no. 426Source text

A Spinoza in poetry becomes a Machiavelli in philosophy.

“Literature and Art”, no. 427Source text

Against the three unities there is nothing to be said, if the subject is very simple; but there are times when thrice three unities, skilfully interwoven, produce a very pleasant effect.

“Literature and Art”, no. 428Source text

The sentimentality of the English is humorous and tender; of the French, popular and pathetic; of the Germans, naïve and realistic.

“Literature and Art”, no. 429Source text

Mysticism is the scholastic of the heart, the dialectic of the feelings.

“Literature and Art”, no. 430Source text

If a man sets out to reproach an author with obscurity, he should first of all examine his own mind, to see if he is himself all clearness within. Twilight makes even plain writing illegible.

“Literature and Art”, no. 431Source text

My relations with Schiller rested on the decided tendency of both of us towards a single aim, and our common activity rested on the diversity of the means by which we endeavoured to attain that aim.

“Literature and Art”, no. 434Source text

There may be eclectic philosophers, but not an eclectic philosophy.

“Literature and Art”, no. 436Source text

But every one is an eclectic who, out of the things that surround and take place about him, appropriates what is suited to his nature; and this is what is meant by culture and progress, in matters of theory or practice.

“Literature and Art”, no. 437Source text

Various maxims of the ancients, which we are wont to repeat again and again, had a meaning quite different from that which is apt to attach to them in later times.

“Literature and Art”, no. 438Source text

The saying that no one who is unacquainted with or a stranger to geometry should enter the philosopher’s school, does not mean that a man must become a mathematician to attain the wisdom of the world.

“Literature and Art”, no. 439Source text

Geometry is here taken in its primary elements, such as are contained in Euclid and laid before every beginner; and then it is the most perfect propædeutic and introduction to philosophy.

“Literature and Art”, no. 440Source text

Let us remember how great the ancients were; and especially how the Socratic school holds up to us the source and standard of all life and action, and bids us not indulge in empty speculation, but live and do.

“Literature and Art”, no. 443Source text

So long as our scholastic education takes us back to antiquity and furthers the study of the Greek and Latin languages, we may congratulate ourselves that these studies, so necessary for the higher culture, will never disappear.

“Literature and Art”, no. 444Source text

If we set our gaze on antiquity and earnestly study it, in the desire to form ourselves thereon, we get the feeling as if it were only then that we really became men.

“Literature and Art”, no. 445Source text

The pedagogue, in trying to write and speak Latin, has a higher and grander idea of himself than would be permissible in ordinary life.

“Literature and Art”, no. 446Source text

Poetical talent is given to peasant as well as to knight; all that is required is that each shall grasp his position and treat it worthily.

“Literature and Art”, no. 449Source text

An historic sense means a sense so cultured that, in valuing the deserts and merits of its own time, it takes account also of the past.

“Literature and Art”, no. 450Source text

The best that history gives us is the enthusiasm it arouses.

“Literature and Art”, no. 451Source text

The historian’s duty is to separate the true from the false, the certain from the uncertain, and the doubtful from that which cannot be accepted.

“Literature and Art”, no. 453Source text

It is seldom that any one of great age becomes historical to himself, and finds his contemporaries become historical to him, so that he neither cares nor is able to argue with any one.

“Literature and Art”, no. 454Source text

We really learn only from those books which we cannot criticise. The author of a book which we could criticise would have to learn from us.

“Literature and Art”, no. 456Source text

That is the reason why the Bible will never lose its power; because, as long as the world lasts, no one can stand up and say: I grasp it as a whole and understand all the parts of it. But we say humbly: as a whole it is worthy of respect, and in all its parts it is applicable.

“Literature and Art”, no. 457Source text

There is and will be much discussion as to the use and harm of circulating the Bible. One thing is clear to me: mischief will result, as heretofore, by using it phantastically as a system of dogma; benefit, as heretofore, by a loving acceptance of its teachings.

“Literature and Art”, no. 458Source text

The incurable evil of religious controversy is that while one party wants to connect the highest interest of humanity with fables and phrases, the other tries to rest it on things that satisfy no one.

“Literature and Art”, no. 460Source text

If one has not read the newspapers for some months and then reads them all together, one sees, as one never saw before, how much time is wasted with this kind of literature.

“Literature and Art”, no. 461Source text

The classical is health; and the romantic, disease.

“Literature and Art”, no. 462Source text

Ovid remained classical even in exile: it is not in himself that he sees misfortune, but in his banishment from the metropolis of the world.

“Literature and Art”, no. 463Source text

The romantic is already fallen into its own abysm. It is hard to imagine anything more degraded than the worst of the new productions.

“Literature and Art”, no. 464Source text

Bodies which rot while they are still alive, and are edified by the detailed contemplation of their own decay; dead men who remain in the world for the ruin of others, and feed their death on the living,—to this have come our makers of literature.

“Literature and Art”, no. 465Source text

Literature decays only as men become more and more corrupt.

“Literature and Art”, no. 466Source text

What a day it is when we must envy the men in their graves!

“Literature and Art”, no. 467Source text

The Greeks, whose poetry and rhetoric was of a simple and positive character, express approval more often than disapproval. With the Latin writers it is the contrary; and the more poetry and the arts of speech decay, the more will blame swell and praise shrink.

“Literature and Art”, no. 469Source text

What are tragedies but the versified passions of people who make Heaven knows what out of the external world?

“Literature and Art”, no. 470Source text

There are certain empirical enthusiasts who are quite right in showing their enthusiasm over new productions that are good; but they are as ecstatic as if there were no other good work in the world at all.

“Literature and Art”, no. 471Source text

In Sakontala the poet appears in his highest function. As the representative of the most natural condition of things, the finest mode of life, the purest moral endeavour, the worthiest majesty, and the most solemn worship, he ventures on common and ridiculous contrasts.

“Literature and Art”, no. 472Source text

Shakespeare’s Henry IV. If everything were lost that has ever been preserved to us of this kind of writing, the arts of poetry and rhetoric could be completely restored out of this one play.

“Literature and Art”, no. 473Source text

Shakespeare’s finest dramas are wanting here and there in facility: they are something more than they should be, and for that very reason indicate the great poet.

“Literature and Art”, no. 474Source text

Shakespeare is dangerous reading for budding talents: he compels them to reproduce him, and they fancy they are producing themselves.

“Literature and Art”, no. 475Source text

Yorick Sterne was the finest spirit that ever worked. To read him is to attain a fine feeling of freedom; his humour is inimitable, and it is not every kind of humour that frees the soul.

“Literature and Art”, no. 476Source text

The peculiar value of so-called popular ballads is that their motives are drawn direct from nature. This, however, is an advantage of which the poet of culture could also avail himself, if he knew how to do it.

“Literature and Art”, no. 477Source text

But in popular ballads there is always this advantage, that in the art of saying things shortly uneducated men are always better skilled than those who are in the strict sense of the word educated.

“Literature and Art”, no. 478Source text

Gemüth = Heart. The translator must proceed until he reaches the untranslatable; and then only will he have an idea of the foreign nation and the foreign tongue.

“Literature and Art”, no. 479Source text

When we say of a landscape that it has a romantic character, it is the secret feeling of the sublime taking the form of the past, or, what is the same thing, of solitude, absence, or seclusion.

“Literature and Art”, no. 480Source text

The Beautiful is a manifestation of secret laws of nature, which, without its presence, would never have been revealed.

“Literature and Art”, no. 481Source text

It is said: Artist, study nature! But it is no trifle to develop the noble out of the commonplace, or beauty out of uniformity.

“Literature and Art”, no. 482Source text

When Nature begins to reveal her open secret to a man, he feels an irresistible longing for her worthiest interpreter, Art.

“Literature and Art”, no. 483Source text

For all other Arts we must make some allowance; but to Greek Art alone we are always debtors.

“Literature and Art”, no. 484Source text

There is no surer way of evading the world than by Art; and no surer way of uniting with it than by Art.

“Literature and Art”, no. 485Source text

Even in the moments of highest happiness and deepest misery we need the Artist.

“Literature and Art”, no. 486Source text

False tendencies of the senses are a kind of desire after realism, always better than that false tendency which expresses itself as idealistic longing.

“Literature and Art”, no. 487Source text

The dignity of Art appears perhaps most conspicuously in Music; for in Music there is no material to be deducted. It is wholly form and intrinsic value, and it raises and ennobles all that it expresses.

“Literature and Art”, no. 488Source text

It is only by Art, and especially by Poetry, that the imagination is regulated. Nothing is more frightful than imagination without taste.

“Literature and Art”, no. 489Source text

Art rests upon a kind of religious sense: it is deeply and ineradicably in earnest. Thus it is that Art so willingly goes hand in hand with Religion.

“Literature and Art”, no. 492Source text

A noble philosopher spoke of architecture as frozen music; and it was inevitable that many people should shake their heads over his remark. We believe that no better repetition of this fine thought can be given than by calling architecture a speechless music.

“Literature and Art”, no. 493Source text

Art is essentially noble; therefore the artist has nothing to fear from a low or common subject. Nay, by taking it up, he ennobles it; and so it is that we see the greatest artists boldly exercising their sovereign rights.

“Literature and Art”, no. 494Source text

In every artist there is a germ of daring, without which no talent is conceivable.

“Literature and Art”, no. 495Source text

Art is a medium of what no tongue can utter; and thus it seems a piece of folly to try to convey its meaning afresh by means of words. But, by trying to do so, the understanding gains; and this, again, benefits the faculty in practice.

“Literature and Art”, no. 497Source text

An artist who produces valuable work is not always able to give an account of his own or others’ performances.

“Literature and Art”, no. 498Source text

We know of no world except in relation to mankind; and we wish for no Art that does not bear the mark of this relation.

“Literature and Art”, no. 499Source text

Higher aims are in themselves more valuable, even if unfulfilled, than lower ones quite attained.

“Literature and Art”, no. 500Source text

Blunt naïvety, stubborn vigour, scrupulous observance of rule, and any other epithets which may apply to older German Art, are a part of every earlier and simpler artistic method. The older Venetians, Florentines, and others had it all too.

“Literature and Art”, no. 501Source text

Because Albrecht Dürer, with his incomparable talent, could never rise to the idea of the symmetry of beauty, or even to the thought of a fitting conformity to the object in view, are we never to spurn the ground!

“Literature and Art”, no. 502Source text

Albrecht Dürer had the advantage of a very profound realistic perception, an affectionate human sympathy with all present conditions. He was kept back by a gloomy phantasy, devoid both of form and foundation.

“Literature and Art”, no. 503Source text

It would be interesting to show how Martin Schön stands near him, and how the merits of German Art were restricted to these two; and useful also to show that it was not evening every day.

“Literature and Art”, no. 504Source text

In every Italian school the butterfly breaks loose from the chrysalis.

“Literature and Art”, no. 505Source text

After Klopstock released us from rhyme, and Voss gave us models of prose, are we to make doggerel again like Hans Sachs?

“Literature and Art”, no. 506Source text

Let us be many-sided! Turnips are good, but they are best mixed with chestnuts. And these two noble products of the earth grow far apart.

“Literature and Art”, no. 507Source text

In every kind of Art there is a degree of excellence which may be reached, so to speak, by the mere use of one’s own natural talents. But at the same time it is impossible to go beyond that point, unless Art comes to one’s aid.

“Literature and Art”, no. 508Source text

In the presence of Nature even moderate talent is always possessed of insight; hence drawings from Nature that are at all carefully done always give pleasure.

“Literature and Art”, no. 509Source text

To make many sketches issue at last in a complete work is something that not even the best artists always achieve.

“Literature and Art”, no. 510Source text

In the sphere of true Art there is no preparatory school, but there is a way of preparation; and the best preparation is the interest of the most insignificant pupil in the work of the master. Colour-grinders have often made excellent painters.

“Literature and Art”, no. 511Source text

If an artist grasps Nature aright and contrives to give its form a nobler, freer grace, no one will understand the source of his inspiration, and every one will swear that he has taken it from the antique.

“Literature and Art”, no. 512Source text

In studying the human form, let the painter reject what is exaggerated, false, and mechanical; but let him learn to grasp of what infinite grace the human body is capable.

“Literature and Art”, no. 513Source text

Kant taught us the critique of the reason. We must have a critique of the senses if Art in general, and especially German Art, is ever to regain its tone and move forward on the path of life and happiness.

“Literature and Art”, no. 514Source text
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